Queenie McKENZIE - Mingmarriya Country
ADG: 3538
DescriptionMingmarriya Country, 1998
Limited edition screenprint (this original screenprint includes the artist's thumbprint)
Edition number 79/99
Paper size 560mm x 760mm
Image size 440mm x 640mm
The print shows hills in country called Mingmarriya near Dingo Springs on Texas Downs Station East of Warmun (Turkey creek) WA where the artist lived and painted. Lots of wild dingos live in the area. Mingmarriya is limestone country and is depicted as the striped hills of Purnululu (Bungle Bungle Ranges). Queenie took one of her Aboriginal names from this country. As she put it, 'my name been grow up from these hills'. The artist's uncle was born in this country. When Queenie was young, an Aboriginal man was killed with a club here for eloping with a woman who was promised to another man.
Queenie McKenzie (Nakarra) - Biography
c. 1930- 1998
Country East Kimberley
Community Warmun [Turkey Creek], WA
Language Gija (Gidja)
Medium Ochre (natural earth pigment) on canvas/linen with gum resin fixative
Subjects Texas Downs station, Purnululu (Bungle Bungle Ranges) country
Queenie McKenzie began painting in the late 1980s after encouragement from her friend, Rover Thomas, one of Australia's most preeminent Aboriginal artists.
Queenie was born c. 1930 on Old Texas Station, on the western bank of the Ord River in the East Kimberley. Her mother Old Dinah was a Malngin/Gurindji woman and her father was a non-Indigenous horse breaker. Queenie grew up among the Gija people and spoke Gija as her first language.
Queenie worked as a cook on cattle stations for almost 40 years until 1973 when she settled in Turkey Creek (Warmun). She was a strong member of the Warmun community; a Councillor and teacher of the Gija language and also played a significant role in the reclaiming of traditional land in the region. She was heavily committed to ceremonial life.
Queenie’s artworks depict her country in natural ochres (natural earth pigments), blending landscape with witnessed or remembered events, family anecdotes and dreamtime stories. Her landscapes map the World Heritage listed Kimberley region using dots to delineate colour forms in the style of the Turkey Creek (Warmun) art movement.
Group Exhibitions
2006-2007 - Gifted: Contemporary Aboriginal Art: The Mollie Gowing Acquisition Fund, Art Gallery of New South Wales, Sydney.
2004 - North by North-West: Contemporary Indigenous Art from the Queensland Art Gallery Collection, Queensland Art Gallery, Brisbane; EXPLAINED, A closer look at Aboriginal art, Aboriginal Art Museum, Utrecht, The Netherlands.
2003 - Raft Art Space, Darwin, NT.
2002-2005 - Native Title Business - Contemporary Indigenous Art, a national travelling exhibition.
1995 - Paintings by Warmun Women, Australian Girls Own Gallery, Kingston, ACT.
1994, Australian Heritage Commission National Aboriginal and Torres Strait Islander Art Award Exhibition, Old Parliament House, Canberra; Bush Women, Fremantle Arts Centre, Perth, Western Australia; Power of the Land, Masterpieces of Aboriginal Art, National Gallery of Victoria.
1993, Images of Power, Aboriginal Art of the Kimberley, National Gallery of Victoria, Melbourne.
1993 - The Tenth National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin.
1992 - The Ninth National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin.
1991 - Aboriginal Women Painters, Art Gallery of NSW [touring]; Eighth National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin; Aboriginal Women's Exhibition, Art Gallery of New South Wales, Sydney.
Awards
1998 Western Australian State Living Treasures Award, Perth, WA
1998 National Female Elders Award, NAIDOC Week, Broome, WA
Collections
Aboriginal Art Museum, The Netherlands
Art Gallery of South Australia, Adelaide
Art Gallery of Western Australia, Perth
Berndt Museum of Anthropology, University of Western Australia
Edith Cowan University Collection Perth WA.
Flinders University Art Museum, Adelaide.
Kerry Stokes Collection, Perth.
Myer Gatner Collection, USA.
National Gallery of Australia, Canberra
National Gallery of Victoria, Melbourne
Queensland Art Gallery, Brisbane
Robert Holmes a Court Collection
Thomas Vroom Collection, The Netherlands
Ranking - Most Important Australian Indigenous Artists (both living and deceased)
2011 Ranked 23/200